Peter Manuel teaches ethnomusicology at the CUNY Graduate Center and John Jay College.
Carol Kaye Play The Electric Bass Torrent Download View TheDownload View The Cambridge Companion To The Guitar as PDF for free.
The Cambridge Companion to the Guitar From its origins in the culture of late medieval Europe to enormous global popularity in the twentieth, the guitar and its development comprise multiple histories, each characterized by distinct styles, playing techniques, repertories, and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions, and Western and non-Western cultures. This is the rst book to encompass the breadth and depth of guitar performance, featuring twelve essays covering different traditions, styles, and instruments, written by some of the most inuential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and the differences between guitar traditions; all styles from baroque, classical, country, blues, and rock to amenco, African, and Celtic will share the same platform, along with instrument making. As musical training is increasingly broadened this comprehensive book will become an indispensable resource. His publications include Performance on Lute, Guitar, and Vihuela (Cambridge, 1997), The Manuscript Sources of 17th-Century Italian Lute Music, and Music and Science in the Age of Galileo. As a lutenist he has performed throughout North America and Europe and as a guitarist has just released a CD, Come on in my Kitchen, with his blues band. The Cambridge Companions to Music Instruments The Cambridge Companion to Brass Instruments Edited by Trevor Herbert and John Wallace The Cambridge Companion to the Cello Edited by Robin Stowell The Cambridge Companion to the Clarinet Edited by Colin Lawson The Cambridge Companion to the Guitar Edited by Victor Coelho The Cambridge Companion to the Organ Edited by Nicholas Thistlethwaite and Geoffrey Webber The Cambridge Companion to the Piano Edited by David Rowland The Cambridge Companion to the Recorder Edited by John Manseld Thomson The Cambridge Companion to the Saxophone Edited by Richard Ingham The Cambridge Companion to Singing Edited by John Potter The Cambridge Companion to the Violin Edited by Robin Stowell Composers The Cambridge Companion to Bach Edited by John Butt The Cambridge Companion to John Cage Edited by David Nicholls The Cambridge Companion to Bartok Edited by Amanda Bayley The Cambridge Companion to Chopin Edited by Jim Samson The Cambridge Companion to Beethoven Edited by Glenn Stanley The Cambridge Companion to Debussy Edited by Simon Trezise The Cambridge Companion to Benjamin Britten Edited by Mervyn Cooke The Cambridge Companion to Handel Edited by Donald Burrows The Cambridge Companion to Berg Edited by Anthony Pople The Cambridge Companion to Berlioz Edited by Peter Bloom The Cambridge Companion to Brahms Edited by Michael Musgrave The Cambridge Companion to Ravel Edited by Deborah Mawer The Cambridge Companion to Schubert Edited by Christopher Gibbs The Cambridge Companion to Stravinsky Edited by Jonathan Cross Topics The Cambridge Companion to Blues and Gospel Music Edited by Allan Moore The Cambridge Companion to Jazz Edited by Mervyn Cooke and David Horn The Cambridge Companion to the Musical Edited by William Everett and Paul Laird The Cambridge Companion to the Orchestra Edited by Colin Lawson The Cambridge Companion to Pop and Rock Edited by Simon Frith, Will Straw and John Street The Cambridge Companion to the String Quartet Edited by Robin Stowell The Cambridge Companion to the GUITAR. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. For Carina Contents List of illustrations page viii Notes on contributors ix Preface and acknowledgments xi Note on pitch xiii 1 2 3 4 5 6 7 8 9 Part I r New guitar histories and world traditions Picking through cultures: a guitarists music history Victor Anand Coelho 3 Flamenco guitar: history, style, status Peter Manuel 13 The Celtic guitar: crossing cultural boundaries in the twentieth century Christopher J. Smith 33 African reinventions of the guitar Banning Eyre 44 Part II r Jazz, roots, and rock The guitar in jazz Graeme M. Boone studied at Berkeley and Harvard, and currently teaches at the Ohio State University. He specializes in early Renaissance music and American popular music, including rock music and jazz. Recent publications include a collection, with John Covach, of analytical essays on rock music, Understanding Rock: Essays in Musical Analysis (1997) and a monograph on the relationship between musical and verbal rhythm in fteenth-century song, Patterns in Play (1999). Victor Anand Coelho is an internationally recognized musicologist, lutenist, and guitarist. He is Professor of Music at the University of Calgary, where he teaches courses in Renaissance music and popular music, and a Fellow of the Harvard University Center for Italian Renaissance Studies in Florence. His publications include Music and Science in the Age of Galileo (1992), The Manuscript Sources of 17th-Century Italian Lute Music (1995), and Performance on Lute, Guitar, and Vihuela (1997). He has appeared as a commentator of rock music on the Fox Network, PBS, and the CBC, and has recorded for Stradivarius and UCM. Carol Kaye Play The Electric Bass Torrent Professional Guitarist AndBanning Eyre is a professional guitarist and has written about international music, especially African guitar styles, since 1988. He has traveled extensively in Africa and has produced many programs for the public radio series Afropop Worldwide. In 1995, Eyre co-authored AFROPOP An Illustrated Guide to Contemporary African Music with Sean Barlow. His book on Malian guitar styles, In Griot Time, An American Guitarist in Mali, has been recently published by Temple University Press, with a companion CD, In Griot Time, String Music from Mali.
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